Presonus - FIRESTUDIO

24bit 96kHz 8 in 8 out Firewire Recording System with ADAT & Word Clock

The PreSonus FireStudio is the next generation in FireWire recording systems from PreSonus. Based on the award-winning Firepod, the FireStudio combines superior analog circuit design with new advanced platform technology to deliver enhanced performance for music recording and creation.

The FireStudio is a 26x26 24-bit/96k professional recording system combining eight XMAX Class A PreSonus microphone preamplifiers, up to sixteen channels of optical ADAT input / output, S/PDIF and MIDI input / output, along with the Control Console - a 36x36x18 zero latency mixer/router.

The FireStudio is bundled with PreSonus Studio One Artist, our groundbreaking music creation program, and over 4 GB of virtual instruments, plug-ins, loops, and samples to get you started making music immediately.

8 XMAX Class A Preamplifiers

The FireStudio includes eight custom-designed high-voltage, discrete, XMAX Class A microphone preamplifiers for all types of microphones. Many other companies offering recording interfaces add the cheapest possible microphone preamplifier as an afterthought to the interface. PreSonus knows that the preamplifier is a key component in the sonic quality of a recording. The job of a microphone preamplifier is to boost microphone level signals to line level so that the signal can be converted from analog to digital. This mic to line boost is generally a preamplification of over 400 times the voltage of the original mic level signal. This preamplification stage is one of the most important stages that the signal will go through before converted to digital, and is why a high performance preamplifier is important to achieving great results. A cheap "off the shelf op-amp" type mic preamp that is found in most interfaces translates into thin, noisy and harsh results.

All XMAX preamplifiers are built with the same three elements:

High Voltage - The XMAX preamplifier runs on power rails of 30V. Most off the shelf op amp based designs run on power rails of 10V to 18V. Higher voltage power rails deliver more headroom, deeper lows, smoother highs and an overall fuller sound.

Discrete - No op amps. Only transistors, resistors and capacitors. Op amps add noise, coloration and harshness to a signal. Discrete designs deliver ultra low noise and transparency.

Class A - When a circuit is running in Class A mode the circuit is always in an "on" state operating at its optimal voltage requirements. Class A mode has zero crossover distortion and delivers purer, clearer and more musical sonics than class A/B designs which are found in most op-amp circuits.

The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range and wide frequency range, and most importantly, musicality and transparency - smooth highs, solid deep lows, and everything in between.

Digital Converters and JetPLL Sync

The FireStudio touts A/D/A converters with a dynamic range of over 114dB for unbelievable clarity as well as synchronization using patented JetPLL™ jitter reduction technology. JetPLL™ incorporates noise shaping to virtually remove all audio band jitter. JetPLL™ ensures the highest converter performance possible, resulting in better stereo separation and clearer more transparent audio. JetPLL™ delivers ultra-fast locking to any digital format through a wide range of frequencies and is extremely robust and tolerant of wide variations in clock frequencies. JetPLL™ ensures near perfect clock performance when networking audio devices, thus creating the most stable and robust synchronization to the computer.

Ins and Outs

The FireStudio is loaded with I/O for an extremely flexible and expandable recording system. The FireStudio starts with eight Class A custom-designed PreSonus microphone preamplifiers. You can add additional preamplifiers or analog inputs via the dual optical light pipe ports on the rear panel. You add up to two DigiMax FS, for a total of twenty-four microphone preamplifiers all in only three rack spaces! Additionally word/clock I/O for ultra tight synchronization, MIDI I/O and SPDIF I/O are on the FireStudio for further expandability.

Universal Control

All members of the FireStudio family of interfaces, including the StudioLive 16.4.2 mixer, come bundled with Universal Control software. Universal Control is a powerful, flexible, and easy to use control-panel application that allows you to daisy-chain to up to 4 FireStudio-family devices for a maximum of up to 52 inputs and outputs.

Universal Control consists of the Launch window and the Device window. In the Launch window, you can set the sample rate, clock source, safe mode, buffer size (PC only), and WDM routing (PC only) for all connected FireStudio-series interfaces. Each device is listed at the bottom of the window, along with Device Window buttons that open each interface’s Device window.

The Device window provides level and routing controls for each FireStudio-series interface’s internal mixer, enabling you to set up zero-latency monitor mixes. Input and output metering have been optimized for ultra-fast screen display and minimum CPU usage, and you can give each interface a custom name. You can use any device in the chain as the master clock source, or you can slave the entire chain to an external digital device using any of the available digital inputs in the chain.

Studio One Artist—Plus Gigabytes of Creative Resources

The FireStudio is bundled with an exceptional software package, featuring PreSonus Studio One Artist, the amazing new DAW software for Mac OS X and Windows XP and Vista that makes producing high-quality projects easier than ever before. As part of the Studio One Artist package, you get 20 new PreSonus Native Effects plug-ins and virtual instruments and a generous bundle of third-party loops, software, and instrument sounds.

Compare Studio One Artist and bundled extras to what comes with competing mobile interfaces:

  • All-meat, no-bloat, music-creation software with an intuitive, practical, single-window interface
  • Unlimited tracks, insert effects, sends, virtual instruments, buses, and effects channels
  • Powerful drag-and-drop functionality
  • Content browser with convenient sort options and preview player
  • Full-featured, flexible automation
  • Powerful real-time auto/manual time-stretching and resampling engine
  • Control Link™ (advanced MIDI mapping made easy)
  • Twenty 32-bit Native Sound™ plug-ins, including reverbs, amp modeling, and EQ
  • Four new virtual instruments, including a sampler and an analog-type subtractive synth
  • Ability to control the software mixer in any FireStudio-series interface to create zero-latency cue mixes.
  • Gigabytes of third-party resources, including Native Instruments™ Kore™ Player with custom SoundPack (150 instruments), Native Instruments™ Guitar Rig LE, Toontrack™ EZDrummer Lite, and over 1.4 GB of loops!

Optional Monitor Station Remote (MSR)

The optional MSR (monitor station remote) for the FireStudio is a complete surround/stereo speaker manager, input switcher and communication system delivering a more efficient and flexible work flow. The MSR connects to the FireStudio via standard Cat 5 Ethernet cable to keep your work space as clean as possible. There are also two headphone outputs on the FireStudio for even further flexibility and convenience.

Specifications
  • 8 dual-purpose front-panel channel inputs, each with high-headroom Class A XMAX™ mic preamplifiers
    • 6 mic/line inputs
    • 2 mic/instrument inputs
    • Individual channel-trim controls with -20 to +20 dBV line / 0 to 60 dBu mic range and clip LED
    • 48V phantom power for condenser microphones (Inputs 1-4 and 5-8, bank-switchable)
  • Headphone jack with level control
  • Main-output gain control
  • Power/Sync LED (indicates unit is synced to word clock)
  • Daisy-chain multiple FireStudios or other FireStudio-family products to create a large, custom system
  • Remote controllable via optional Monitor Station Remote (MSR)
  • Studio One Artist™ digital audio workstation software included
  • Input/Output
    • 2 FireWire 400 ports
    • S/PDIF digital input/output
    • 16 channels of optical ADAT I/O @ 44.1/48 kHz (8 ch. @ 96 kHz via dual SMUX)
    • 6 combination XLR/¼” mic/line-level inputs
    • 2 combination XLR/¼” mic/instrument (high impedance) inputs
    • Unbalanced stereo line-level inputs (RCA)
    • 2 stereo ¼” inserts
    • 2 ¼” main (L/R) analog outputs
    • 8 ¼” general-purpose outputs
    • MIDI in/out
    • Word-clock in/out (BNC)
    • Remote-control input
    • ¼” headphone output
  • Digitalia
    • 24-bit resolution, up to 96 kHz sampling rate
    • High-definition analog-to-digital converters (118 dB dynamic range)
    • DICE II chipset for ultra-efficient data transfer
    • JetPLL™ jitter-elimination technology
    • Zero-latency monitoring via 36x18 DSP matrix mixer/router
    • Mac®- and Windows®-compatible, including Mac OS X 10.6 Snow Leopard and Windows 7
    • Supports ASIO, Core Audio, Direct Sound (Windows XP), Windows Audio Session API (Windows Vista and Windows 7)
  • Physical
    • 1U 19” rack-mountable, rugged steel chassis
    • Sealed, detented, metal rotary controls
    • Internal power supply with standard IEC power cord
  • Software
    • Studio One Artist
      • PreSonus’ revolutionary new digital audio workstation, with unlimited track count and 4+ GB of 3rd-party resources.
    • Universal Control control-panel application for Mac® OS X and Windows®

Computer system requirements:

Below are the minimum computer-system requirements for your FireStudio.

 

Windows

 

  • Windows XP, Vista, Windows 7 (32- and 64-bit)
  • Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 3000+ (Turion) (2.8 GHz or faster recommended)
  • 1 GB RAM (2 GB or more recommended)

Macintosh

  • Mac OS X 10.6 (Snow Leopard) or later (32- and 64-bit)
  • Intel Core 1 Solo 1.5 GHz processor (Intel Core Duo or Intel Xeon processor recommended)
  • 1 GB RAM (2 GB or more recommended)

Windows and Mac Systems

  • IEEE 1394 FireWire 400 Port
  • Internet connection recommended
  • DVD-ROM drive
  • Internal or external 7200 RPM storage drive highly recommended

Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals.
Monitor resolution for both PC and Macintosh should be no lower than 1024x768 pixels.

 

Microphone Preamp (XLR Balanced)
All measurements Microphone Input to Direct Output
 
Frequency Response (+0,- 0.5dB)

20Hz to 50KHz
  Frequency Response (+0/-3.0 dB) 20Hz to 150KHz
  Input Impedance 1600 Ohm
  THD+N (unwtd, 1KHz @ +4dBu Output, Unity Gain) <0.003%
  EIN (unwtd, 55dB Gain, 150 Ohm Input, 20Hz to 22KHz) -126dBu
  S/N Ratio (Unity Gain, unwtd, Ref. = +4dBu, 20Hz to 22KHz) >101dB
  Common Mode Rejection Ratio (1KHz, 55dB Gain) >55dB
  Gain Control Range (+/-1dB) -6dB to 55dB
  Maximum Input Level (Unity Gain, 1KHz @ 0.5% THD+N) +17dBu
  Phantom Power (+/- 2VDC) +48VDC
Instrument Input (1/4" TRS, Preamps 1 & 2)
  Input Impedance 1 Mega Ohm
Line Inputs (1/4" TRS, Preamps 3 to 8)
All measurements Line Input to Direct Output
 
Frequency Response (+0,- 0.5dB)

20Hz to 50KHz
  Frequency Response (+0/-3.0 dB) 20Hz to 150KHz
  Input Impedance (Balanced) 10 KOhm
  THD+N (unwtd, 1KHz @ +4dBu Output, Unity Gain) < 0.003%
  S/N Ratio (Unity Gain, unwtd, Ref. = +4dBu, 20Hz to 22KHz) >101dB
  Gain Control Range (+/-1dB) -9dB to +12dB
  Maximum Input Level (Unity Gain, 1KHz @ 0.5% THD+N) +23dBu
Insert Jacks (1/4" TRS)
  Send Output Impedance (Unbalanced, Ring) 51 Ohm
  Return Input Impedance
(Unbalanced, Tip)
10KOhm
Direct Outputs/DAC Outputs (1/4" TRS)
  Output Impedance (Impedance Balanced) 51Ohm
Signal Level LEDs
  Clip (+/- 0.5dBu) +18dBu
Digital Audio
  ADC Dynamic Range (Awtd, 48KHz Sample Rate) 107dB
  DAC Dynamic Range (Awtd, 48KHz Sample Rate) 110dB
  Bit Depth 24
  Reference Level for 0dBFS +18dBu
  Digital Audio Output (2-Toslink™ Connectors, 8 channels) ADAT/SMUX
  Digital Audio Input (2-Toslink™ Connectors, 8 channels) ADAT/SMUX
  Internal Sample Frequency Selections (KHz) 44.1, 48, 88.2, 96
  External Sample Frequency Inputs BNC, ADAT (SMUX),SPDIF
  BNC Word Clock Output Level (75 Ohm load) 4.5V
  BNC Word Clock Input Level Range 3.0 to 5.5V
Power
  Input Voltage Range 18 to 30VDC
  Power Requirements (Continuous) 24W
  DC Input Connector Type 5.5mm OD/2.1mm ID Barrel, Center Positive
  External Switching Power Supply 90-230VAC/35W
Digital
  Jitter <20ps RMS, 20Hz-20kHz
  Jitter Attenuation >60dB, 1ns in=>1ps out

As a commitment to constant improvement, PreSonus Audio Electronics, Inc., reserves the right to change any specification stated herein at anytime in the future without notification.