Presonus - Studio 192
Built to create.
The PreSonus Studio 192 is the first USB 3.0 audio interface to deliver exceptional sonic fidelity and flexible connectivity, as well as professional monitoring and mixing controls, in a single rack-space. Whether you’re a producer or an audio engineer, an independent band or a sound designer, the Studio 192 was built for you to create.
Your studio command center.
The Studio 192 is designed to be the central hub for any project or professional studio. The onboard talkback mic can be routed to any mix. Onboard Dim and Mono options let you take control of your main mix. Listen to any mix from either headphone amp. Use the ten balanced outputs for monitor mixing, speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 fits into any recording and production environment.
XMAX preamps, now with remote control.
- Transparent sound that won't color the tone of your instrument
- Control preamps from within the Studio One mixer
- Control preamp settings via MIDI in Pro Tools, Logic, or Live and save settings with your recordings
- The ease of digital recall with the quality of Class A analog circuitry
The Studio 192 includes eight remote-controlled XMAX™ preamps, each providing high headroom, low noise, wide dynamic range, and extended frequency response. The resulting musicality and transparency provides smooth, solid sonic reproduction.
The Studio One in Studio 192.
Your audio interface is now an integrated extension of your recording environment. Launch Studio One and you will find full preamp control and zero-latency monitor-mix functions integrated into your recording environment. Our exclusive hybrid Fat Channel plug-in runs on the Studio 192’s DSP and in Studio One on your computer, so you can record and monitor with zero-latency using Studio 192-based Fat Channel EQ and dynamics processing and seamlessly switch to the native Studio One Fat Channel plug-in for playback with no audible change.
Zero-latency monitor mixing and control.
Because we can’t create the same integrated Studio One experience in every recording application, the Studio 192’s onboard features can also be controlled in UC Surface’s battle-tested interface. UC Surface has rapidly won accolades for its intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes and get back to recording.
Computer system requirements:
Below are the minimum computer-system requirements for the Studio 192:
Mac®
- Operating System: OS X 10.8 or later Hardware
- Minimum: Intel® Core™ 2 processor, 4 GB RAM
- Recommended Hardware: Intel® Core™ i3 processor or better, 8 GB or more RAM
Windows® PC
- Windows 7x 64/x86 SP1 or Windows 8/8.1 x64, Windows 10 x64
- Intel® Core™ 2 processor (Intel® Core™ i3 processor or better recommended)
- 4 GB RAM (8 GB or more recommended)
Windows and Mac
- USB 2.0 port (USB 3.0 recommended)
- Internet connection
- Monitor resolution of 1280 x 800 px or higher
- 20 GB hard-disk space
- Internal or external 7200 RPM storage drive highly recommended
Note: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.
The speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system.
|
Microphone Preamp |
|
| Type |
XLR Female (via Combo), Balanced Remote |
| Maximum Input level (min. gain, 1 kHz@0.5% THD+N) |
+12 dBu, +/-0.5 dB |
| Gain Control Range |
60 dB, +/-1 dB |
| Frequency Response (A-D) |
10 Hz to 40 kHz, +/-0.2 dB |
| Dynamic Range (min. gain, a-wtd) | > 110 dB |
| Dynamic Range (mid. Gain, unwtd) | > 105 dB |
| THD+N (min. gain, a-wtd) | < 0.005% |
| Input Impedance | 1600 Ω |
| EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, a-wtd) | < 128 dBu |
| Common Mode Rejection Ratio (1 kHz, +55dB gain) | > 55 dB |
| Phantom Power | +48 V, +/- 3 V, > 8mA per channel |
|
Instrument Inputs |
|
| Type | ¼” TS Female (via Combo), Unbalanced |
| Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) | +16 dBu +/-0.5 dB |
| Gain Control Range | 60 dB, +/-1 dB |
| Frequency Response (A-D) |
20 Hz to 20 kHz, +/-0.2 dB |
| Dynamic Range (min. gain, a-wtd) | > 110 dB dB |
| Dynamic Range (mid. Gain, unwtd) | > 105 dB |
| THD+N (1 kHz, -1 dBFS, a-wtd) | < 0.005% |
| THD+N (1 kHz, -1 dBFS, un-wtd) |
< 0.005% |
| Input Impedance | > 1 MΩ |
| Crosstalk (1 kHz, channel-to-channel) | < -80 dB |
|
Line Inputs |
|
| Type |
¼” TRS Female (via Combo), Balanced |
| Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) | + 18 dBu, +/-0.5 dB |
| Frequency Response (A-D) |
20 Hz to 20 kHz, +/-0.2 dB |
| Dynamic Range (min. gain, a-wtd) |
> 114 dB |
| Dynamic Range (mid. gain, unwtd) | > 105 dB |
| THD+N (1 kHz, -1 dBFS, a-wtd) | < 0.005% |
| Input Impedance | 10 kΩ |
| Crosstalk (1 kHz, channel-to-channel) | < -80 dB |
|
Main and Line Outputs |
|
| Type (Line Outputs) |
¼” TRS Female, Impedance Balanced |
| Type (Main Outputs) |
XLR Male, Impedance Balanced |
| Maximum Output Level | +18 dBu, +/-0.5 dB |
| Frequency Response |
20 Hz to 20 kHz, +/-0.2 dB |
| Dynamic Range (a-wtd) | > 112 dB |
| THD+N (1 kHz, -1 dBFS, un-wtd) | < 0.005% |
| Output Impedance |
51 Ω |
| Crosstalk (1 kHz, channel-to-channel) |
< -80 dB |
|
Headphone Outputs |
|
| Type |
¼” TRS Female, Stereo, Unbalanced |
| Maximum Output Level |
150 mW/channel @ 60 Ω |
| Frequency Response | 20 Hz to 20 kHz, +/-0.3 dB |
| Dynamic Range (a-wtd) |
> 103 dB |
| THD+N (1 kHz, -1 dBFS, un-wtd) |
< 0.005% |
| Crosstalk (1 kHz, channel-to-channel) | < -80 dB |
|
Internal Talkback Microphone |
|
| Type | Electret Condenser |
| Sensitivity | -42 dB |
|
Signal Level LEDs |
|
| Signal 1 |
-50 dBFS |
| Signal 2 |
-30 dBFS |
| Signal 3 |
-20 dBFS |
| Signal 4 |
-10 dBFS |
| Signal 5 | -6 dBFS |
| Signal 6 | -4 dBFS |
| Signal 7 | -2 dBFS |
| Clip | -0.5 dBFS |
|
Digital Audio |
|
| Host Interface | USB 3.0 (backwards compatible to USB 2.0) |
| ADC Dynamic Range (A-wtd, 48 kHz) | 118 dB |
| DAC Dynamic Range (A-wtd, 48 kHz) |
118 dB |
| Bit Depth |
24 bits |
| Internally Supported Sample Rates |
44.1, 48, 88.2, 96, 176.4, 192 kHz |
| ADAT Optical I/O |
ADAT/SMUX II formats supported [16x16 (44.1/48 kHz), 8x8 (88.2/96 kHz)] |
| S/PDIF I/O | RCA female connections, supported up to 96 kHz |
| Word Clock I/O |
BNC connector, 4.5 Vpp @75Ω load |
|
Clock |
|
| Jitter |
<50 ps RMS (20 Hz – 20 kHz) |
| Jitter Attenuation | >60 dB (1 ns in => 1 ps out) |
|
Power |
|
| External Power Adapter | +18 VDC, 2.6A, center-positive |
| Connector Type | Barrel: 5.5 mm OD, 2.1 mm ID, 9.5 mm length |
|
Physical |
|
| Dimensions | 1U rackmount |
| Height | 1.75” (44.45 mm) |
| Depth | 5.5” (139.7 mm) |
| Width |
19” (482.6 mm) |
| Weight | 4.9 lb. (2.22 kg) |
|
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PreSonus Studio192 brochure (2015/04/29)
Presonus Studio192 QSG (2015/10/15)
Presonus Studio192 OwnersManual EN (2015/10/15)